Lerner was wrong, of course; he would go on to write five more musicals. And there has always been an audience for romantic uplift, in a way that there has not always been for Sondheim's work. Like many of his shows, Company opened to lukewarm reviews, only later becoming a success. Merrily We Roll Along (1981), about two young songwriters whose idealistic dreams become soured with age and compromise, closed after only 16 performances on Broadway, wholesale Rockstar hats but has gone on to be revived in countless productions. Sweeney Todd (1979) opened to terrible reviews in London – 'It was my love letter to England and I felt like a spurned lover,' Sondheim would later remark – but became one of his most enduring shows and is now widely recognised as his masterpiece.
Sondheim says Company, written in 1970, was the first musical where he 'began to hear my own voice loud and clear'. cheap POLO hats Company takes the form of a series of vignettes in which a 35-year-old single man assesses his life through his relationships with his married friends. Sondheim describes it as 'the first Broadway musical whose defining quality was neither satire nor sentiment, but irony.' With its complete absence of plot, its themes of loneliness and the inability to make emotional commitment, and its frequently cynical take on the compromises of marriage ('It's… the concerts you enjoy together/Neighbours you annoy together/Children you destroy together/That keep marriage intact' runs one song), Company was about as far from the conventional fare of musical theatre as it was possible to get. It is said that after attending the opening night in New York the lyricist Alan Jay Lerner, whose work on Camelot and My Fair Lady embodied the notion of the musical as a vehicle of sweet, romantic uplift, returned home and wept, saying, 'It's over' – wholesale POLO hatsmeaning his kind of musical, and by implication his career.